Praised by the New York Times for his “genuine originality,” Rufus Wainwright has established himself as one of the great male vocalists, songwriters, and composers of his generation. The New York-born, Montreal-raised singer-songwriter has released ten studio albums to date, three DVDs, and three live albums including the Grammy-nominated Rufus Does Judy at Carnegie Hall. He has collaborated with artists such as Elton John, Burt Bacharach, Miley Cyrus, David Byrne, Boy George, Joni Mitchell, Pet Shop Boys, Heart, Carly Rae Jepsen, Robbie Williams, Jessye Norman, Billy Joel, Paul Simon, Sting, and producer Mark Ronson, among many others. He has written two operas, numerous songs for movies and TV, and is currently working on his first musical for the West End and a Requiem. His latest GRAMMY® and JUNO nominated album of original songs, Unfollow the Rules, finds Wainwright at the peak of his powers, entering artistic maturity with passion, honesty, and a new-found fearlessness. His newly-released studio album Folkocracy features reinvented folk duets with artists like Chaka Khan, Brandi Carlile, John Legend and Anohni and many more. 

Folkocracy is Rufus Wainwright revisiting his roots, of childhood summers spent at folk festivals and watching his famous family on stage. But it’s also the sound of an artist in the present, flanked by an incredible array of guests, using all he has learnt from conquering pop to make music worthy of awards.

It was during 2021’s Grammys ceremony that the idea for an album of folk reinventions came to Rufus. Nominated for his return-to-pop record Unfollow The Rules, he sat through countless folk and Americana categories and felt a pang for the past.

“I was already contemplating an album of covers,” says Rufus. “Initially I thought I’d choose big pop songs, make them into my style and have a huge hit record. Haha!

“But the older I get, the more I appreciate how valuable my folk knowledge is, to have had it ingrained in me as a child. I have a big birthday coming up. What better way to celebrate than singing some of the songs that shaped me with some of the artists I most admire?

“I’ve shied away from folk in the past, preferring the worlds of opera and pop. But the fact is I’m from a bona fide folkocracy who mixed extensively with other folkocracies such as the Seegers and the Thompsons. As I hurtle towards 50, I’m back where it all began

Joining Rufus on the journey is an all-star cast. Brandi Carlile features on first single Down In The Willow Garden, an ancient murder ballad brought beautifully up to date. John Legend, Chaka Khan, David Byrne, Anohni, Sheryl Crow, Susanna Hoffs, Chris Stills, Nicole Scherzinger and Van Dyke Parks all appear, alongside family members Anna McGarrigle and Martha and Lucy Wainwright.

“Getting lots of guests was a given from the start,” says Rufus. “The key to folk is community and sharing a stage. But I didn’t want to make a duets record. We rode a fine line – guests, not duets.”

Rufus chose the 15 songs with producer Mitchell Froom. A handful he first heard in childhood, some are standards from across continents, a couple he discovered while researching the record. Two are what could be classed as folk fudges – a reframing of Franz Schubert’s Nacht und Träume and a spellbinding rerecording of his own song Going to a Town, featuring his longtime friend Anohni.

“It was Mitchell who suggested one of my songs, a future folk classic as he calls it,” says Rufus. “It’s certainly a protest song. And to record it, even remotely, with the incredible Anohni was a frightening thrill.

“Schubert, in my mind, is firmly in the folk tradition. The most important factor of folk music is powerful intimacy. It should always feel as though you and the performer are the only people in the room. You get that with Bob Dylan and Joni Mitchell and, certainly, you get that with Schubert.”

Folkocracy opens with a spare, spine-tingling cover of Ewan MacColl’s Alone, performed with fast-rising, young folk star Madison Cunningham, who grew up on Rufus records.

“Madison is all over the album, not just on Alone, but singing BVs and playing acoustic guitar,” says Rufus. “She’s a fantastic guitarist and a real sensation right now. She recently opened for Harry Styles. I am so excited to have her. It’s lovely to work with young artists whom I have helped form.”

Next up is Peggy Seeger’s Heading For Home, the album’s beautiful, banjo-backed second single, a collaboration with the mighty John Legend.

“John was onboard early on,” says Rufus. “What I love is having him sing a song so far from his usual repertoire. You can hear us spur each other on. In the folk world, there is a certain sparring which occurs, which elevates the music.

“On purpose, the album starts and ends in Scotland. Heading For Home was written by Peggy Seeger, who was married to Ewan McColl. The Seegers are probably the greatest folkocracy, so I’m nodding to that. Plus, Peggy’s version of the song always makes me cry.”

The majority of Folkocracy was recorded live, largely in LA, either at iconic studios such as Sunset Sound or at Mitchell’s home studio. Only David Byrne’s vocal on the sensual High On A Rocky Ledge and Sheryl Crow’s on the gorgeous, girl group-like take on The Mamas & The Papas’ Twelve Thirty were recorded remotely.

“David was in New York while I was in LA,” says Rufus. “We chose a Moondog song because we’re both huge fans. I first discovered him on a sultry Hawaiian evening, this old man’s voice, singing the most gorgeously simple yet sophisticated melodies. I credit David with a similar sensibility. Both their music is incredibly accessible yet mysteriously distant at the same time.

“Twelve Thirty is a really interesting one. It’s a bunch of what I guess you could call ‘90s artists trying to recreate the ‘60s. Flip that 9!

“I’ve always loved the song and I retain a real reverence for The Mamas & The Papas, a pre-eminent band to mix folk and rock, who melded harmonies with a jamboree festival vibe. Our tribute band is me, Chris Stills, Susanna Hoffs and Sheryl, who sent her back-ups from Nashville. The rest of us were together. Susanna looked amazing. I don’t know her secret, but she hasn’t aged in decades.”

The first song recorded for Folkocracy was Down In The Willow Garden.

“Brandi I see a lot, often with Joni Mitchell,” says Rufus. “I chose us a cheery little number – not! The song is so blatantly brutal and masochistic that I had to sing it with a woman. Sadly, we still live in a violent world. The amazing thing about so many folk songs is that, content wise, they sound very contemporary. Think of the gun crime in the States right now.”

The toughest guest to pin down was Chaka Khan, for a version of the country-folk classic Cotton Eyed Joe based on a rare Nina Simone live recording.

“Tough not because she wasn’t willing, but that she lives on a different plane to us mere mortals,” says Rufus. “I admit, there were nerves when she came to the studio. She’s a funk singer who  doesn’t do many ballads. But, of course, she totally delivered. Singing with Chaka is one of the highlights of my career. Chaka and Rufus are back!”

The strangest song on Folkocracy is surely Kaulana Nā Pua, a Hawaiian protest song.

The hardest thing I’ve ever done is sing that song properly,” he says. ““My husband and I fell in love with Hawaii two years ago and bought some land there during Covid, as an exit plan. He wanted me to sing a Hawaiian song and insisted I get a language coach, which of course I initially poo-pooed.

“Then I realised how challenging it is to sing in that language and had to admit he was right. It took two coaches and hours and hours of practice and still I had to sing every line ten times.

“Kaulana Nā Pua I initially chose because it jumped out at me musically. Then I read the lyrics, which are incredible. It’s a protest song against the US annexation of Hawaii. ‘We’d rather eat stones than eat your money’ is my favourite line.

“Nicole I had met at a fundraiser where we performed together. She has an absolutely amazing voice. Plus, she’s from Hawaii so a perfect fit. Her voice is like the ocean on the recording.”


Folkocracy closes with a family affair. Wild Mountain Thyme is a song Rufus grew up singing with his sisters. Recorded in Montreal, this version features Martha, Lucy, aunt Anna, cousin Lily Lanken and close family friend Chaim Tannenbaum playing Rufus’s late mother Kate’s iconic banjo.

“I’m so happy mum made it onto the album,” says Rufus. “Without her there would be no Folkocracy.”


Sing Me The Songs & The Kate McGarrigle Foundation

The SU2C Kate McGarrigle Fund is a new collaborative program from Stand Up To Cancer and the Kate McGarrigle Foundation that aims to provide music therapy resources to cancer patients with a passion for music, as well as much-needed funds for sarcoma research. In the coming months, the program will officially launch and information on how the public can get involved and donate will be made available.
Kate McGarrigle was a Canadian folk music singer-songwriter who wrote and performed as a duo with her sister Anna McGarrigle. She is the mother of singers Rufus Wainwright and Martha Wainwright from her marriage to American singer-songwriter Loudon Wainwright III. When Kate was diagnosed with sarcoma in 2007, it became her mission to combat the disease. Later that same year, she and a handful of friends founded The Kate McGarrigle Fund in Canada. Following Kate’s death in 2010, the family expanded to the United States by founding The Kate McGarrigle Foundation, allowing the family to work specifically on Kate’s musical and artistic legacy while also funding research in the U.S. Recently, The Kate McGarrigle Foundation and The Kate McGarrigle Fund joined SU2C and SU2C Canada, respectively, to further expand their reach and fundraising efforts.
In the summer of 2010 Richard Thompson staged the first of a series of tributes to Kate McGarrigle’s music at London’s Royal Festival Hall as part of his Melt Down Festival. Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle, is a documentary directed by Lian Lunson that captures the May 2011 tribute concert honoring the late, great singer songwriter Kate McGarrigle in New York City. This documentary is part concert, and partly an intimate look at a family coming to terms with the loss of a loved one. Candid interviews with Kate’s family and friends are paired with rousing performances of her music. Sing Me the Songs That Say I Love You had its world premiere Sundance London Film Festival in April 2012.
Each year, Rufus Wainwright, Martha Wainwright and several of their well-known musical friends produce Noël Nights or A Not So Silent Night, a series of holiday concerts in major North American cities. Proceeds from event ticket sales and special VIP packages will go to the SU2C Kate McGarrigle Fund. Monies raised in Canada will go to music therapy and research in Canada, and monies raised in the U.S. will go to music therapy and research in the U.S. Martha Wainwright will act as Music Director for the SU2C Kate McGarrigle Fund music therapy program.


If you would like to donate to the Kate McGarrigle Fund please use the below information. Please make sure to mark your return address so we can send you a tax donation letter depending on the country you have donated in.
Make cheques payable to SU2C Canada
On the MEMO line, mark Kate McGarrigle Fund

Stand Up To Cancer Canada
330 Bay Street, Suite 820
Toronto, ON M5H 2S8

Make checks payable to SU2C
On the MEMO line, mark Kate McGarrigle Fund

Stand Up To Cancer
P.O. Box 843721
Los Angeles, CA 90084-3721

Donate: https://standuptocancer.org/kate-mcgarrigle-fund

Email for info on donating via direct wire transfer: rufuswainwrightassistant@gmail.com

Contact: katemcgarriglefund@gmail.com


Rufus Wainwright is managed by Jorn Weisbrodt and Ryan Glatt, Breakers Management

Email: Jorn WeisbrodtRyan Glatt


Email: Riley Hutcheson rufuswainwrightassistant@gmail.com

Booking North America
United Talent Agency

Mary Petro
Email: Mary.Petro@unitedtalent.com

Booking France

Olivier Gluzman

Email: ogluzman@visiteursdusoir.com

Booking Rest of the World

Primary Talent International
Matt Copley
Email: mattpcopley@primarytalent.com
Phone: +44 (0)20 7400 4500
Website: www.primary.uk.com

Jim Merlis & Ken Weinstein
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Barbara Charone
Email: bc@mbcpr.com

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